The Close Perspective

The "Close" perspective was recorded with the microphones placed very close to the strings. Normally, this isn't the way you would record a classical piece, but you will find that this perspective gives you a great presence and brilliance. Try this version for an in-your-face pop or jazz sound, or for bold and aggressive features. Definitely reach for this version first on a live performance. It has the raw edge needed to cut through a pounding rhythm section, or to back up a powerful vocalist. The more live your playing space, the more likely that the Close Perspective instrument will work for you.

Here are some demos featuring the Close Perspective:

Heaven - Performed by Jeremy Whaley
Junk Man - Performed by Sue Keller (Reverb Added)
Misty - Performed by Frederik Von Wachenfeldt
Fjord - Performed by Frederik Von Wachenfeldt
Take it or leave it - Performed by Frederik Von Wachenfeldt (Trilogy bass, Groove Agent drums)
Springtime Sunday
Springtime Sunday GS3 - Gigastudio 3 Gigapulse Convoluting, uses the convoluting engine in Gigastudio 3 to emulate pedal down and releasesamples

SEA Demo (Played by SEA, Jamie Sea)

Eijaelija (Played by Seppo Jarvinen) Finnish gospel!