Black Grand Close
Black Grand Close Perspective
Black Grand Close
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The "Close" perspective was recorded with the microphones placed very close to the strings. Normally, this isn't the way you would record a classical piece, but you will find that this perspective gives you a great presence and brilliance. Try this version for an in-your-face pop or jazz sound, or for bold and aggressive features. Definitely reach for this version first on a live performance. It has the raw edge needed to cut through a pounding rhythm section, or to back up a powerful vocalist. The more live your playing space, the more likely that the Close Perspective instrument will work for you. |
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The treble and bass side of the microphones capturing the Close Perspective. Milab DC-96B (above) and MG UM30 (right) |
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“I was listening to some Suzanne Ciani at work the other day during my lunch hour. She is a huge figure in New Age piano. I also had a CD-R in the machine of some test pieces I had created using the Black Grand (Ambient Perspective). I had actually forgotten that CD was in the machine. When it started playing the Black Grand pieces, I was immediately struck by the fact that it sounded in the zone of the Ciani material, but actually much better - warmer, which for me is a good thing! So here was an unprocessed sampled piano - the Black Grand - sounding much better than a real piano which had been recorded and mastered in a million dollar studio. Amazing!
- Lawrence Lougheed
"Black Grand is really a dream piano"
-Pascal Perrin, Composer & Producer
"Love it! Thanks for your excellent work and the obvious love and care you have for
your virtual instruments."
-Roger Barnes, Musician and Composer
“Got the Black Grand. Wow! A sampling masterpiece”
Grant Olsen – Musician & Composer
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